Spider-Man: Far From Home producer Amy Pascal speaks on the decision to update classic characters for the big screen.
The new Spider-Man trilogy hasn’t been shy about taking classic characters and reworking them for the Marvel Cinematic Universe. This was somewhat of a risk for Sony and Marvel Studios, but co-producer Amy Pascal believes it’s paying off.
Pascal told ComicBook.com that these vintage Spider-Man characters, which were originally creations of Stan Lee and Steve Ditko, were made to change with the times. In switching things up, Pascal believes she is merely following the lead of comic book creators who have put their own spin on the wall-crawler’s supporting characters:
“I think that they’re the great thing about what Stan and Steve did, is that they are characters that can be reinterpreted. It’s 1962, it’s a long time for something to remain fresh, and yet it’s been able to. I think that’s because just like all of the artist who did all of the various spectacular, amazing, ultimate, everything have been able to reinterpret these kind of classical characters. We’re able to do that, too.”
While Pascal didn’t grow up reading comics, she admits she quickly fell in love with the character of Peter Parker after Sony producer Avi Arad began developing a Spider-Man film at Sony in the late ’90s:
“Oh, you think I was born a comic book nerd? I was not. Avi Arad, when he first brought Spider-Man to Sony, which was in the late ’90s, I’m like, ‘I like that Peter Parker character,’ because I could relate to Peter Parker. I understood him. He’s just a normal kid with the same problem, money problems, love problems, family problems, the same stuff that everybody has. I could completely relate to him.”
Marvel Studios has updated a number of characters for the MCU, ranging from Doctor Strange’s Wong to Black Panther’s M’Baku. Although the characters weren’t entirely overhauled, key changes were made so they would better translate to the big screen.
Michael Keaton’s Vulture further proved that Marvel Studios can revitalize a character. Not only did the studio manage to make Adrian Toomes grounded and relatable, but he was also a far cry from the sometimes corny villain he was in the comics. Now, Jake Gyllenhaal’s Mysterio seems set to do the same. It’s likely Quentin Beck will end up becoming a villain in Spider-Man: Far From Home but, with the trailers touting him as an ally of Peter Parker, it appears there will be layers to him.NEXT: Spider-Man: Far From Home: 15 fan theories
Based on early reviews, Gyllenhaal gives a standout performance, and most of this can probably be contributed to the changes to his characterization. Given these reactions, Sony and Marvel Studios will likely continue to alter characters. Spider-Man: Far From Home swings into theaters on July 2.
If it isn’t entirely obvious from our years and years of coverage, we here at CinemaBlend are big fans of the Marvel Cinematic Universe. Going back to 2008, the movies have continued to delight and surprise, and while some titles are better than others, each one has provided its own special flavor to the franchise that we’ve been able to appreciate in its own way. Of course, there are still many debates among the staff, from best villain to strongest hero, but one big question has always stood out among them all: what’s the best Marvel Studios film?
In order to get to the bottom of this everlasting conflict, our superhero podcast HeroBlend has spearheaded a little endeavor. A few weeks back we sent out a survey to interested members of our staff and had everyone rank the movies of the Marvel Cinematic Universe from best to worst. While no two rankings ended up being the same (seriously, you’d be surprised by the variety), we were able to average the results and determine our democratic picks.
Before we get into that, however, we want to get you in on this action too. Below you’ll find an exact copy of the same survey we sent out to our staff, and we’d love it if you would share your opinions on this great debate as well. We’ll then follow up by covering the final results of rankings in an upcoming episode of HeroBlend!
Now that you’ve done that, let’s dive into the rankings, shall we?
22. The Incredible Hulk
The Marvel Cinematic Universe was still trying to figure out what it wanted to be back in 2008, and while the franchise quickly made some interesting moves by foregoing a simple origin story when making The Incredible Hulk, in retrospect it’s not exactly their best effort. It has some good parts, and is a decent treatment of the character, but it’s also a mixed bag tonally, and doesn’t exactly have the most complex plot.
21. Thor: The Dark World
Sequels are usually a great opportunity to expand on characters and the specific worlds in which they live, but Thor: The Dark World is sadly a bit of a misfire. While it’s ultimately redeemed by its bonkers third act – which is a crazy amount of fun – this isn’t exactly the most exciting Marvel adventure, and it also notably has the weakest villain featured in the franchise to date (we’re still not entirely clear on what it was that Malekith and his Dark Elves were trying to ultimately accomplish).
20. Iron Man 2
There is no question that the Marvel Cinematic Universe wouldn’t be what it is today without Robert Downey Jr.’s Tony Stark, but to paraphrase the genius/billionaire/playboy/philanthropist, Iron Man 2 is an example of a franchise running before it’s ready to walk. There is no denying the importance of this chapter, especially because it brought both War Machine and Black Widow to life for the first time, but its story is definitely messy as a result of too many plotlines competing for attention in the narrative.
19. Captain Marvel
After more than a decade in existence, Marvel Studios tried to shake up the traditional origin story in the making of Captain Marvel, and while the movie doesn’t fully work in that respect (ultimately still including a number of the traditional tropes and narrative moves), it’s also a blockbuster with some really big surprises. Brie Larson is most definitely a rad addition to the franchise, adding a great dose of spunk and charisma to the cosmic and Earthbound hero, and we're immensely excited about what kind of future adventures we'll soon see the character take on.
18. Iron Man 3
Phase Two of the Marvel Cinematic Universe offered up the opportunity for blockbusters to start melding the superhero characters with a wide variety of different genres, and Iron Man 3’s take on a noir detective story is a lot of fun, and packs more than a few significant twists. It’s a smart look at Tony Stark – is he the hero, or is it all about the suit? – and features some of the best one-liners in the MCU canon.CLOSE AD
17. Avengers: Age Of Ultron
Expectations were crazy high for Avengers: Age Of Ultron back in 2015 – so high, arguably, that it never had a chance of fully reaching them – but the film is still an epic, thrilling, and fun example of super blockbuster storytelling. Both Scarlet Witch and Vision make for compelling and important new additions to the franchise, and it’s legitimately impressive what kind of threat the titular villain and his army of robots pose for Earth’s mightiest heroes.
16. Thor
Thor was a bit of a gamble for the Marvel Cinematic Universe, being a very out-there story being told as the franchise’s fourth feature, but it also provided a solid start on the big screen for one of the most important characters in the canon. It’s a film that was vitally important in establishing the tonal approach for almost every title that followed it, and it made some of the best early casting decisions in the brand’s history by bringing unknowns Chris Hemsworth and Tom Hiddleston into the fold (not to mention the star power of Natalie Portman, Anthony Hopkins, Rene Russo, and Idris Elba, among others).
15. Ant-Man And The Wasp
Given the nature of their powers, Ant-Man and The Wasp are characters who are best suited to star in “smaller” adventures, and Ant-Man And The Wasp delivers a super fun and fantastic one that wonderfully goes to all kinds of weird places. Picking up where they left in their first movie, Paul Rudd and Evangeline Lilly make for an awesome, kick-ass duo, and Peyton Reed does some delightful things with the action while utilizing the special growing and shrinking abilities.
14. Doctor Strange
Prior to the release of Doctor Strange, the Marvel Cinematic Universe was exclusively a science-fiction-based franchise, but the introduction of Benedict Cumberbatch’s titular hero totally changed the game. Featuring some awesome supporting performances from Tilda Swinton and Chiwetel Ejiofor, the movie is a mind-bender of the highest order, and features some of the most insane and beautiful visuals we’ve seen in modern blockbuster filmmaking. Even after multiple rewatches it’s still not entirely clear how the film was able to pull off some of its most bombastic sequences.
13. Ant-Man
Being one of the original Avengers, Ant-Man was one of the first films developed by Marvel Studios, and while it took an extra minute to arrive (and had a few behind-the-scenes issues), it’s still one of weirdest and best origin stories we’ve seen from the franchise. Under other circumstances a blockbuster about a shrinking hero who can control ants might not fly, but the special Marvel magic – not to mention the endless charisma of Paul Rudd – make this one a winner.
12. Guardians Of The Galaxy Vol. 2
Audiences were left asking some big questions about the Guardians of the Galaxy following their big screen debut, and through thoughtful care and his excellent filmmaking abilities, James Gunn delivered yet another awesome story for the titular team with Guardians of the Galaxy Vol. 2. It’s still kind of nuts that we live in an era when a ridiculous comic book character like Ego The Living Planet can be brought to the big screen (and played by Kurt Russell, no less), but that’s the world we live in now, and along the way we’re also getting excellent stories with deeply-felt themes about family.
11. Captain America: The First Avenger
Captain America has arguably had the strongest run thus far in the history of the Marvel Cinematic Universe, and it all started with his fantastic debut in Captain America: The First Avenger. The period storytelling gives it a style totally unto itself, with Joe Johnston perfectly recapturing the magic he previously generated with The Rocketeer, and Chris Evans immediately elevated the character beyond the simple boy scout/propaganda tool he could have been depicted as. It’s also extra fascinating to watch when you know the direction that the hero goes in as his big screen arc continues.
10. Black Panther
Ryan Coogler took on one of the greatest challenges so far in the Marvel Cinematic Universe by introducing the nation of Wakanda, and he not only successfully pulled it off, but crafted one of the most complex and philosophically intriguing chapters we’ve seen yet within the franchise with Black Panther. It’s crazy rare to see a blockbuster where both the hero and villain’s perspectives carry comparable weight and deserve equal consideration, and the Black Panther/Killmonger conflict brings just that – and on top of it all it’s fantastic to see how the simple addition of Vibranium can spice up an action sequence.
9. Iron Man
Marvel Studios movies have obviously come a long way in the last 11 years – explaining why only two titles in this Top 10 come from pre-2012 – but that being said Iron Man is still a phenomenal delight. Not only is Robert Downey Jr.’s charisma just totally off the charts, and the visual effects surprisingly spectacular, but even at the very start of everything the brand was upending expectations about what a big screen superhero story could be (we’ll never forget the way it tore down the secret identity concept with its final line). It’s a film we’re excited to watch every time we start a few franchise rewatch.
8. Captain America: Civil War
It was once thought that Marvel Studios would save all of its big team-up adventures for its Avengers movies, but then Captain America: Civil War came along in 2016 to blow minds. It’s honestly remarkable how the film perfectly plays on the developing arcs of both Cap and Iron Man, putting them on opposite sides of a smart and considered philosophical conflict, and on top of that it makes fantastic use of its broad ensemble of characters. These blockbusters are all crazy juggling acts, it’s amazing to see the way it manages to keep all of the balls in the air without missing a beat.
7. The Avengers
The Avengers is the picture-perfect definition of a game changer. Prior to 2012 it wasn’t entirely clear if the grand Marvel Cinematic Universe experiment would actually pay off, but Joss Whedon, armed with a very clear personal love for the characters and their history, put together a blockbuster that wonderfully highlights the greatest aspects of all of them – both when they are in extreme conflict and working together. It goes without saying that the franchise wouldn’t be what it is today if this one didn’t work, and its 45 minute-long third act action sequence remains as one of the best spectacles we’ve seen in modern cinema.
6. Spider-Man: Homecoming
Prior to the release of Spider-Man: Homecoming, it wasn’t entirely clear if the world was ready for yet another film about the wall-crawler – specifically because the hero had already been featured in two other separate franchises. Fortunately Spidey’s first solo film in the Marvel Cinematic Universe totally changed everybody’s mind by offering up a fresh, funny, and exciting new take on the high school-aged character. Not only is Tom Holland perfect in the lead role, but Michael Keaton’s Vulture is one of the best villains we’ve seen in the canon thus far – managing to somehow both be sympathetic and scary.
5. Thor: Ragnarok
As reflected in the rankings above, Thor didn’t have the greatest run when it came to solo movies prior to 2017, but Taika Waititi totally changed that pattern in the best way with Thor: Ragnarok. It required stripping away everything the character loves, including his father, his hammer, and even his hair, but the reinvention works perfectly, and it’s shocking just how funny the film is. It’s also arguably the best depiction of Hulk we’ve seen on the big screen to date, with the big green monster not only finding a voice, but also doing quite a lot of exciting smashing.
4. Guardians Of The Galaxy
Prior to 2014, nobody knew who the Guardians of the Galaxy were, but James Gunn worked his magic and now they are some of the most popular heroes around the globe. How? Because Guardians of the Galaxy is one of the best space operas ever committed to celluloid. The writer/director took some liberties with the source material, brought together some bizarre misfit heroes, and put together one of the best MCU casts, and end result was two-plus hours of delightful fun unlike anything any other comic book movie had previously attempted. Marvel took an absolutely massive swing with this property, but wound up hitting a home run on the first pitch.
3. Avengers: Infinity War
The Marvel Cinematic Universe started teasing the arrival of Thanos all the way back in 2012, and while some thought it was building too much hype to possibly pay off, Avengers: Infinity War proved all doubters wrong. Taking the spotlight in the 2018 blockbuster, the Mad Titan proved to be every bit the formidable and dangerous foe that audiences were promised, and the results are incredible and epic – all building to one of the most devastating endings in blockbuster history. The scope of the film is remarkable, not to mention the careful treatment of its absolutely massive ensemble, and it is amazing how it highlights just how much we’ve grown to care about these characters over the years.
2. Captain America: The Winter Solider
Joe and Anthony Russo never directed a blockbuster before taking on Captain America: The Winter Soldier, let alone an action movie, and that’s a stunning fact in retrospect. The movie’s plot channels 1970s conspiracy thrillers in the best way, crafting a wonderful mystery surrounding its two eponymous characters, but what truly makes the film standout is its endless series of insane and pulse-pounding action sequences that make you want to leap out of your chair every five minutes. After this debut, it was a surprise to nobody that Marvel trusted the brothers with three of their most ambitious projects ever.
1. Avengers: Endgame
It should have been an impossible task distilling 11 years-worth of films into one epic blockbuster, but the craftsmanship in the making of Avengers: Endgame is second to none – which explains why our staff has ranked it as the best Marvel Studios film we’ve seen so far. It’s not only an immensely satisfying experience for fans who have been following the franchise from the beginning, it’s also just a ridiculous crowd-pleaser in every respect. It’s hilarious; it’s tear-jerking; it’s thrilling; and it’s endlessly surprising. It’s everything you want it be after 22 movies, and makes our imaginations run wild thinking about what the next 22 movies might bring to the big screen.
How does our list compare with yours? If you haven’t already, go back to the top and take our survey, and stay tuned for more of our Marvel Cinematic Universe coverage here on CinemaBlend!
Disney re-released Avengers: Endgame this past Friday, presumably as part of a push to outperform Avatar at the global box office. In an effort to incentivize fans to revisit the film, directors Joe and Anthony Russo attached spoiler-y treats at the end of the credits. Even Captain America actor Chris Evans is urging fans to re-watch the film. But even with these boosts, the final Avengers installment may not reach the numbers it needs to in order to beat James Cameron's box office behemoth.
Avatar pulled in $2.79 billion worldwide, earning most of its money overseas. According to Deadline, only 34% of the film's lifetime gross came from the U.S. and China, contrasting starkly with Endgame‘s 53% U.S./China haul. Avatar‘s near-mythic number sent box office analysts, critics, and other industry experts reeling and, at the time, seemed impossible for other films to top. And it still might be.
That belief still holds. Even now, against a glut of superhero movies fighting for its coveted status, Avatar remains a formidable opponent. Only about $30 million stands between Avengers: Endgame and that close-but-not-that-close crown, but without substantial hauls overseas, its victory isn't guaranteed. Nor is it likely. No matter how badly Robert Downey Jr. wants it to be. As charming and persuasive as he might be, he may not even be able to influence enough viewers to make a box office thrashing possible.
The Avengers: Endgame re-release is largely a domestic push, but it will also play in Mexico, the U.K., Ireland, Germany, Spain, Russia, Japan, and Australia/New Zealand. Avengers: Endgame has no shot at beating Avatar‘s huge numbers in a lot of key countries, including France, Japan, Germany, Russia, and Italy. Also, it's not re-releasing in China, so that extra potential money is off the table.
Here's the thing: When Avatar hit theaters back in 2009, it was an absolute sensation. Screenings sold out quickly and frequently (even weeks into the film's release), and it seemed to be all people were discussing. James Cameron's revolutionary technology stunned, thrilled, and enthralled audiences, many of whom probably took the beauty at face value without realizing how special it was. Even knowing that everyone and their mom had seen the movie and were going back for seconds, I didn't expect its box office numbers to climb as high as they did.
Personally, I'd watch Endgame over Avatar any day, but my opinion doesn't mean anything when I'm staring up at the piles of cash obscuring the sun.
Whether or not you think the extra content is worth it, you could also just re-watch the movie because it's a good movie. That seems to be what many are doing, anyway. We will see if Endgame can make enough to dethrone the unofficial Dances With Wolves remake. Who knows? It may surprise us all and completely destroy the competition. Either way, it fought the good fight.
It's also possible Disney could decide to bring Avengers: Endgame back again for a double feature with The Lion King later this summer, or bring it back again for one last play over Labor Day weekend. There are more options.
Avengers: Endgame is back in theaters with new footage, so get your tickets now if you're eager to see it end a 10-year reign.
Bless his heart to 3000, but Chris Evans is not the person to go to for Avengers: Endgame timeline continuity questions. And he really won't know what to say when you ask if Steve Rogers went “Alabama” with Peggy Carter‘s niece, Sharon Carter. However, Evans did land on some nice compliments for the Marvel Cinematic Universe storytellers, and Don Cheadle jumped in with a decent enough timeline explanation. Also, the Russo Brothers provided a longer explanation on the Steve/Peggy front.
First, the Captain America star joined Don Cheadle (Rhodey/War Machine) and Jeremy Renner (Clint Barton/Hawkeye/Ronin) at ACE Comic Con. A fan stepped up to ask Chris Evans about the Steve Rogers/Peggy Carter reunion at the end.
Steve returns the Infinity Stones to their original timelines and then chooses to stay in the past to live his life with Peggy, finally getting that dance. It was a beautiful bookend to their storyline in Captain America: The First Avenger. But it also confused some fans, like this one, who noted:
Like, was he then therefore Peggy's husband in this universe and kinda went Alabama with her niece?
The crowd laughed. Jeremy Renner quipped, “Lotta strange things happen in ‘bama.”
The moderator said that's a time continuity question and joked that no one up there was qualified to answer. But Chris Evans did his best to answer, with backup from Don Cheadle:
Chris Evans: You know, I'm not sure if I can give you those answers. … But you know what, look, that's weak as shit if I'm like I don't know… But ask the writers! [laughs]. I mean, look, I mean there's a lot of things you can question about the time continuum. But if there's anything I've learned about working with Marvel, they don't leave stones unturned. They really don't. I at times might share some of the questions, but anytime I've kind of asked the question of people, there's always an answer. There's always someone who kind of explains it to me.
Don Cheadle: And then you immediately forget what they said.
Chris Evans: And then I forget it. And then I come onstage, and then I say ‘Hey, ask Don Cheadle what it's like to be Don Cheadle!'
Don Cheadle: Steve exists on multiple planes and time is not just a straight line. There's multiple timelines.
Actually, that was a fine enough answer on its own. Thank you, Don Cheadle. I'm no expert, but isn't the running explanation that Steve created a new timeline? Or a “branch reality,” as the Russos put it? See their full explanation below.
Watch Chris Evans attempt to answer the question around the 24:00 minute mark of this helpful fan's ACE Comic Con video:
Avengers: Endgame writers Christopher Markus and Stephen McFeely even said it was “always our intention” that Steve Rogers was the father of Peggy's two children. They added “there are time travel loopholes for that.”
Directors Joe and Anthony Russo also explained what happened to Fox 5 DC:
Joe Russo: The way that it would work, right, is that when Captain America goes back, he would create a branch reality. OK? Now he would exist in that branch reality with a second Captain America who was frozen in ice.
Anthony Russo: Peggy understood that he was dead at that point in the storytelling because Cap went back to a point in time where nobody knew he still was alive, frozen in ice.
Joe Russo: Now what’s also a story for another time is, of course, if he created a branch reality, he would then have to use a Pym Particle to come back to this reality to hand that shield off.
A story for another time? When do we get to see that?
Lucifer fans, it's time to lower the pitchforks. It wasn't long after Netflix announced that the 10-episode Season 5 would be the series' last that some attempted to spark up renewal efforts on social media, and now it appears that all those efforts and future efforts will be in vain.
Disappointed parties needn't worry, though, as Lucifer‘s executive producer Ildy Modrovich assured fans that things are different this time around. In a lengthy statement via Twitter, she explained how this cancellation differs from the last, and why it's ok (although she is torn) that the series is actually going to go away for real this time.
Straight from the horse's mouth, it appears that there's no use in trying to bring Lucifer back from the dead a second time. The good news is that Ildy Modrovich and others are grateful Netflix was upfront about this information, and that there's now plenty of time to figure out the correct way to draw this series to a close over its next ten episodes.
Which, as many Lucifer fans may remember, is a luxury that wasn't afforded to the former Fox drama the first time it was cancelled. Now an intentional series finale can be plotted out, which will at the very least be more satisfying than when it initially ended on a cliffhanger. It's still not as satisfying as a Season 6 renewal, of course, but the best case scenario any cancelled series can hope for.
It's also a situation that could've happened in this most-recent season as Season 4 delivered a pretty big cliffhanger in its season finale that would've left Lucifans incredibly frustrated had Season 5 never happened. It appears as though viewers did all they could to ensure that renewal happened, by the way, as a third party report said Season 4 was one of May's most-binged shows on Netflix.
And right now, it appears that the major players in the Lucifer camp are thankful for how generous Netflix has been. Ildy Modrovich's message was shared by series star Tom Ellis specifically, who hoped he could help clear up some of the “confusion” that has plagued the show's loyal fanbase ever since the renewal.
Now, whether or not this means Tom Ellis isn't as upset about Lucifer being cancelled again we can't say. We do know that when Ellis spoke to CinemaBlend, he felt the story wasn't done yet. Whether he was thinking one more season would do it or he was hoping for a bit more we can't be sure of, but at least he and the crew have plenty of time to figure out this final act this time.
Details on Lucifer Season 5 are still scant at the moment, but CinemaBlend will keep an eye out for details and report on the major reveals as they come. In the meantime, be sure to stick with us for all the latest news in in television and movies.
The superhero movie landscape looks a lot different than it did at the beginning of the decade. For one thing, back then, the film rights to properties like X-Men and the Fantastic Four still belonged to 20th Century Fox, a studio a long ways away from being owned by a certain Mouse House. As such, the chances of seeing these Marvel characters share screen time with those in the Marvel Cinematic Universewasn’t possible.
However, evidently at one point Fox was considering making its own Avengers-level crossover superhero movie. During his recent appearance on Fatman Beyond, screenwriter Zack Stentz, who co-wrote both X-Men: First Class and Thor, was asked which of his movies that he’s written that will never come out is his favorite, Stentz answered:
My ex-partner and I, when we were working at Fox and working on X-Men: First Class, we did a secret movie for them that, I can't tell you what the plot was, but I can tell you that it used all of the characters, all of the Marvel characters that Fox had at the time in 2011. It used the X-Men. It used the Fantastic Four. It used Daredevil. It used Deadpool. Daredevil was still at Fox at the time. And it was a really cool freakin’ script. We almost had Paul Greengrass directing it, which would've been so cool, but he had another project to do instead. It didn't end up going, but it was a script I was really proud of and it would've been really good.
Man, this takes me back. While the X-Men, Fantastic Four and Deadpool were obviously Fox-only Marvel characters up until the Disney transaction went through, it’s easy to forget that Daredevil was also part of that group for a long time. The Man Without Fear only starred in one movie, and while Fox tried to get a reboot off the ground by 2012, that fell through and the rights went back to Marvel, paving the way for the Daredevil Netflix series.
Having Paul Greengrass direct this Fox crossover movie also would have been a cool choice, as the man had proved his action mettle with The Bourne Supremacyand The Bourne Ultimatum. Going off the loose time frame Zack Stentz laid out, I suspect Greengrass turned down this opportunity in favor of directing Captain Phillips, which went on to be nominated for an Academy Award and a Golden Globe, among other accolades.
Had Fox moved forward with this movie featuring the X-Men, Fantastic Four, Deadpool and X-Men, this might have placed the Fox Marvel franchise on a higher pedestal. Granted, the X-Men film series has been chugging along steadily for nearly two decades, which includes the surprise success of Deadpool, but along with Daredevil barely getting a chance to shine, the Fantastic Four movies didn’t fare particularly well, with the 2015 reboot ending up a critical and commercial bomb.CLOSE AD
Perhaps new life could have been breathed into all these characters had they been able to join forces in such an epic tale, although I worry introducing Deadpool here might have resulted in the character not being adapted as well as he was in 2016. It’s also a good bet that this movie would have taken the X-Men down a much different path than they are now.
Fast-forwarding to now, all of these properties now rest under Marvel Studios, and while the plan is to keep Ryan Reynolds’ Deadpool around, it’s expected that the Fantastic Four and X-Men will are rebooted down the line. Daredevil was cancelled over a month after Season 3 premiered, and it remains to be seen if we’ll ever see Charlie Cox’s version of Matt Murdock again or if the character will be rebooted again to better fit within MCU continuity.
Stay tuned to CinemaBlend for updates concerning Marvel’s plans for any of the above characters on the big or small screens. Those of you who are curious about what the MCU has lined up next can look through our comprehensive guide.